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Credits

  • A coproduction between The Australian Ballet and Bangarra Dance Theatre, commissioned by The Australian Ballet.
Choreographer
  • Frances Rings
  • The Dancers of Bangarra Dance Theatre and The Australian Ballet
Composer
  • William Barton
Costume Designer
  • Grace Lillian Lee
Associate Costume Designer
  • Jennifer Irwin
Set Designer
  • Elizabeth Gadsby
Lighting Designer
  • Karen Norris
Cultural Consultant
  • Matthew Doyle

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Beneath the cracked clay, a seed unfurls. Leaf. Bloom. Life. Promise. Crossing time and space. 

The Australian Ballet and Bangarra Dance Theatre present Flora, an exciting and bold new dance collaboration. With an ensemble of over 35 dancers drawn from both companies, Flora will play in both Melbourne and Sydney and is in addition to our 2026 national tour to be announced later this year.   

Flora marks the fourth time our companies have joined forces, and in this first full-length collaboration, our signature storytelling style will take you on a journey through the evolution of Australian flora. An unmissable new work, Flora traces the profound influence of major historic and environmental events on both the landscape and its people.  

From the sleeping yams beneath the earth, to the gums that breathe our air and stand proud over generations, flora is living witness to Australia’s unfolding history. 

When the ships brought animals that trample and weeds that choke, flora endured. Through fire, flora renews and regenerates. The resilience of flora parallels the resilience of Australia’s First Peoples. 

With distinctive choreography from Mirning woman Frances Rings, our Artistic Director and Co-CEO, an original score composed by Kalkadungu man and internationally renowned composer William Barton, dynamic costumes from Meriam Samsep woman Grace Lillian Lee, set design by Elizabeth Gadsby, lighting design by Karen Norris and Cultural Consultancy from Matthew Doyle, a descendant of the Muruwari Aboriginal nation.

Journey with us through our living history in this unique dance experience.


Photo by Pierre Toussaint